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The Finnish autumn of 2024 has been quite odd. It’s been extremely warm for the season. Right until it wasn’t.

Now it’s again cold, rainy, windy and gloomy. But we were so very lucky to get this absolutely beautiful sunshine for the weekend we shot with Jonna.

So, Jonna’s back. Again! In her classic and so-often wished combination of a metallic red catsuit and black gloves. Very happy to shoot with her again.

Did you miss her?

As you can see, bright latex shows plenty through—even when it’s not intended to be translucent! You can see Jonna’s tattoos through the material, which is pretty h*cking awesome, if you’ll pardon my French.

There’s just something really awesome about seeing tattoos glow through latex.

Why, you ask me?

Stepping outside of the stables let us greet the sun with glee. The exultant high-spirited joy, as Merriam-Webster defines it, not the musical thingy.

Okay, I’m not sure about the high-spiritism of our glee, but the sunshine was pretty nice. Way above average.

Just look how happy Jonna looks while she’s blinding herself by staring at the sun.

Oh, the lengths we all go for our little latex project. Well, mostly the models.

Look! A bit more stable video than we’ve ever had.

We are evolving. Ever-lovingly evolving. For the love of the project. Revolving. An evolution instead of a revolution.

Oh.

Oops.

Yeah.

Let’s continue.

Below you can see how Jonna admires our life on a farm—a life she wishes she, too, could one day achieve.

It’s a pretty nice life, although a very busy one, with horses escaping (especially the yellow pony), tractors breaking (the fuel intake line is probably sucking air into the system) and the house needing renovations. Again.

But it’s a good life nonetheless.

Don’t you just love the shine? It’s amazing how shiny the suit can seem when mixing up shadows and sunshine together.

I can see my house from up there!

Literally. My house is reflected in there.

I’ll just do a little pause here because I just want to point out how well the little camera I’m using works for these kind of little clips.

Also to do a little promotion, as there’s over 12 minutes of uncut footage available at our Patreon – feel free to join and get access to over 1,000 posts and h*ckload of exclusive content. Pardon my French, again.

But the project isn’t over yet. Let’s continue.

With another clip of a video to keep up with the chronology of driving a car.

Did you know that some cars go vroom, while others might not? Now you do, and knowing is half the battle.

As we didn’t want to take all the pictures in my yard, we went off to another yard. An industrial-kind-of-a yard.

But, it turns out, it was less of an industrial yard, and more of a caravan and recreational vehicle sales yard. Full of caravans and RVs.

While I wouldn’t mind owning one, they are not very good as a photographic background, so we headed off to another location.

Which, in Jonna’s case, was a mistake, as she should know that you allow a kidnapper to change locations with you—especially not twice.

Oh, wait. I forgot that I wasn’t kidnapping her, and that she came here with her own will.

Yes.

That’s the story I’m going to tell.

Anyways, as a totally-not-a-kidnapper, we found a nice little cul-de-sac, again, pardon my French, where we could see as far as the eye could see, which was to the nearest treeline.

But it was a nice view nonetheless.

Despite the warm-looking sun, it was actually quite cold. At least for Jonna, whose 0.4 millimetres of latex did totally not keep her warm.

But the car was warm. So we drove off to a third location, which, by chance, was the location we started at.

Thus, any allegations of a kidnapping should be null and void, although nobody’s seen Jonna ever since.

You can’t prove anything!

 

Please remember that Project L runs on your continued support from Patreon. By supporting the project through you can gain access to high-resolution images, exclusive photos and videos and an exclusive Discord server only for Patrons and the project’s models.

Also, you can make sure that we can continue to create Project L. It’s quite expensive, you know, buying and maintaining latex and little gimbal cameras!

And, you know, the kidnappings. It’s expensive, too.

Latex used in the project

Metallic Red Princess Catsuit by Libidex
Black Gloves from Rubbella, by UNIQDSN

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